Boucles d’oreilles botaniques Clématite Cygne
Designed by OREYNE.Chun· Handcrafted by OREYNE.Dan
Handcrafted, with subtle variations that make every piece unique.
Clematis-inspired, sculptural floral form
Sold as one matching pair
Availability:Only 1 available
Dispatch: In stock & ready to ship — hand-shaped, not mass-produced
Delivery: Typically arrives within 5–12 days.
WE RESPECT TIME
Good work takes time and deserves it.
DESIGN
Beauty is felt, not defined. Every form begins with an observation.
ORIGINALITY
Each piece is individually shaped by hand, never exactly repeated.
MAKERS
We value every person whose creativity and care bring a work to life.
Each OREYNE form begins as a single length of wire — fine silver-plated copper, most often between 0.2 and 0.4 mm — bent entirely by hand into curves, loops, and layered petals, with no soldering, no casting, and no mould to repeat from.
Every curve is placed by eye and by feel, tightened and adjusted until the wire holds its own tension without support, the way a sculpture is built rather than a template followed. It is a slow, almost drawing-like technique — closer to sketching in three dimensions than to traditional metalwork.
It is precisely this hand-formed irregularity, the slight asymmetry between one petal and the next, that OREYNE has chosen never to smooth away.
LA NATURE OBSERVÉE
La clématite Clematis macropetala « White Swan » laisse pendre ses fleurs aux pétales allongés qui se séparent et se recourbent vers l’extérieur.
OREYNE observe le passage d’un sommet resserré vers plusieurs formes suspendues, puis le traduit en métal tissé, en courbes, en superpositions et en espaces ajourés, sans copier littéralement la fleur.
LA STRUCTURE
La puce supérieure compacte crée un point de densité avant que les lignes métalliques inférieures ne s’ouvrent en plusieurs formes indépendantes.
Chaque fil descend en courbe puis se tourne vers l’extérieur, dessinant une silhouette en couches et des espaces entre les éléments. Les petites différences d’angle et d’écartement témoignent du façonnage manuel.
EN MOUVEMENT
Près de l’oreille, la partie inférieure suspendue allonge la silhouette sans former une surface pleine.
Quand la personne tourne la tête, les lignes captent la lumière à des moments différents, tandis que les vides laissent l’ombre et le mouvement participer à la structure.