Bijou botanique au pavot blanc
Designed by OREYNE.Chun· Handcrafted by OREYNE.Dan
Handcrafted, with subtle variations that make every piece unique.
White poppy–inspired, layered petal form
Sold as one matching pair
Availability:Only 2 available
Dispatch: In stock & ready to ship — hand-shaped, not mass-produced
Delivery: Typically arrives within 5–12 days.
WE RESPECT TIME
Good work takes time and deserves it.
DESIGN
Beauty is felt, not defined. Every form begins with an observation.
ORIGINALITY
Each piece is individually shaped by hand, never exactly repeated.
MAKERS
We value every person whose creativity and care bring a work to life.
Each OREYNE form begins as a single length of wire — fine silver-plated copper, most often between 0.2 and 0.4 mm — bent entirely by hand into curves, loops, and layered petals, with no soldering, no casting, and no mould to repeat from.
Every curve is placed by eye and by feel, tightened and adjusted until the wire holds its own tension without support, the way a sculpture is built rather than a template followed. It is a slow, almost drawing-like technique — closer to sketching in three dimensions than to traditional metalwork.
It is precisely this hand-formed irregularity, the slight asymmetry between one petal and the next, that OREYNE has chosen never to smooth away.
ORIGINE DU DESIGN
Le coquelicot blanc associe de larges pétales repliés à un cœur lumineux concentré. OREYNE transpose cet équilibre dans des formes en fil métallique façonnées à la main, en prenant la fleur comme point de départ plutôt que comme modèle à copier.
SCULPTÉ DANS LE FIL
De fins fils métalliques sont bouclés et formés en surfaces ajourées et superposées. Des détails dorés et un accent central à l’aspect nacré apportent de la chaleur à l’ensemble floral, tout en laissant visible le travail de la main.
LA COLLECTION
La broche et les boucles d’oreilles sont désormais présentées comme des pièces distinctes, afin que chacune puisse être appréciée à sa propre échelle. L’une se place près de l’oreille ; l’autre devient un point focal sculptural sur le tissu.